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CHAPTER FOUR: With A Blunt Scratch Through My Veins

  Mess

  Hall Tango – 17:30

  The

  corridors choke with bodies at dinner hour, cadets pressed against

  one another like blood in a narrow vein. Cain pushes through the

  tide, elbows sharp, shoulders braced, eyes scanning over heads.

  Lucille is gone. He lost her somewhere near the dorm wing, no

  surprise. She’s barely a head shorter than most, a shadow slipping

  through gaps, already ghosts past him.

  Still,

  she never skips meals. So she’s probably inside. Probably already

  grabbed a tray. Probably already sitting at their usual table. Cain

  swallows, chest tight, and pushes onward.

  The

  doors of Mess Hall Tango gape ahead, heat and noise spilling out like

  steam from a cauldron. The moment he steps inside, a voice cuts

  through the clamor:

  “Aurellius!

  Cain!”

  A

  cluster of classmates waves him over near the tray racks. He forces a

  polite smile and joins them, snatching a tray.

  “Heard

  about the fight,” Rhett Kessner says, stepping forward in the line.

  “Didn’t think little Domitian had it in her.”

  Cain

  straightens, spine taut. “Lucille held her own. Better’n most of

  us would’ve ‘gainst three.”

  Rhett

  snorts. “Still wild

  t’see. Guess she’s got some bite after all.”

  Another

  voice, Marza Talvek, stirs her synth-juice with a straw, eyes cold,

  calculating. “Folks don’t

  hate her ‘cause she fights. They hate her ‘cause she’s a

  Domitian. House with no branches, no bloodline, nothin’ worth

  savin’.”

  Cain

  turns his tray toward the protein station, jaw tightening, pulse

  ticking in his ears. “She

  ain’t her House,” he says, low, deliberate.

  “Maybe,”

  Marza shrugs. “But optics matter. You’re Aurellius. Your name

  carries weight. Don’t be draggin’ dead weight behind you.”

  Cain

  freezes, trays clattering. He studies the hall, the tables, the

  corners. “Someone like me’s exactly who she needs,” he says,

  calm but firm. “And someone like her proves strength don’t come

  from a name.”

  Rhett

  raises his hands, small shield. “Didn’t mean nothin’ by it,

  man.”

  Cain

  presses lips to something that isn’t quite a smile. “Yeah. I

  know.”

  They

  move forward, line inching, trays clacking, metal scraping under

  harsh light. He loads protein cutlets, steamed greens, a mound of

  starch, keeps scanning the tables, the booths, the far corners.

  Nothing.

  He

  tilts onto his toes for a better angle, ignoring the amused glance

  Rhett throws him.

  Nothing.

  No

  dark braid. No familiar posture. No Lucille.

  The

  heat of the hall presses in. The chatter and laughter warp into a

  low, oppressive hum. Cain’s stomach twists, emptiness clawing at

  him sharper than hunger.

  Where

  is she?


  And

  then the thought hits, cold and sharp: she’s alone. Somewhere. In

  this sea of cadets. And whatever she’s facing, Cain has no line of

  sight. No control.

  He

  grips the tray tighter, knuckles white, eyes scanning again, faster,

  sharper. Nothing.

  And

  the dread settles like ice in his chest.

  Where

  is she?


  Training

  Grounds – 18:55

  Varian

  Korvin prefers to wander the Academy grounds at dusk. Cool air

  brushes against stone paths, corridors quieting as the sunset casts

  bronze light like molten metal spilled from a forge. He rounds the

  arcade corner and nearly collides with Renn.

  Again.

  Renn

  blinks up at him, braid half-unraveled, expression bright. “Evening

  stroll again, sir?”

  Korvin huffs a soft laugh. “I

  could ask the same of you.”

  That’s all the invitation

  Renn needs. He falls in step beside Korvin, hands clasped behind his

  back, posture rigid, eager.

  They speak in low murmurs as

  they walk, first impressions, small surprises, tentative

  observations. Korvin notes the sharp minds in his theory course; Renn

  laments that half the eleventh-years couldn’t hold a proper stance

  if their lives depended on it.

  They cross to the open

  walkway overlooking the training grounds. Noise hits immediately:

  clatter of weapons, grunts, shouts, impacts, rhythmic whap-whap of

  staves, metallic ring of swords striking resistant alloy.

  Nothing

  unusual.

  Except… Korvin lifts his head. Among the chaos,

  a rhythm emerges: too hard, too fast, tempo driven by fury, not

  form.

  Not training. Exorcism.

  He slows,

  scanning the grounds, and finds her immediately.

  Lucille

  Domitian.

  She works alone beneath a single training lamp,

  silhouette sharp against the flickering blue glow of the construct

  dummy. Sweat darkens her collar; every exhale is harsh. Her blunted

  sword slices through the dummy’s torso, arm, shoulder; she rolls

  under a spinning counter strike, parries the follow-up, pivots,

  strikes again.

  The screen beside the dummy flashes

  numbers:

  STRIKES LANDED: climbing rapidly.

  BLOCKS:

  erratic.

  DODGES: high, but sloppy.

  HITS TAKEN: more than

  any instructor would allow.

  Korvin stops. “…She’s

  been here since before dinner?” Renn whispers, braid half loose,

  frowning.

  Korvin

  doesn’t answer immediately. His eyes narrow, taking in the

  controlled brutality of her swings, the instinct overriding

  exhaustion, the way her fury shapes itself into motion. This is not

  recklessness, it’s spiraling discipline, honed into sharp

  edges.

  Renn shifts. “…Should we…?”

  Korvin

  remains silent. He watches, arms folded, every strike, every roll,

  every stagger, a storm contained within her small frame. She’s

  bleeding into the dirt with each swing, screaming at herself in ways

  no one can hear. And he will know why.

  Lucille drives

  another strike into the dummy’s ribs. Sensors chirp in protest. She

  absorbs the next blow rather than dodge, uses it to gain leverage,

  and drives the blade into its center plate. Crack. Metal sings.

  Renn

  winces. “Look at her numbers… she’s taking hits on

  purpose.”

  Korvin says nothing. He does not speak. He

  watches the shoulder roll, the snap-parry, the relentless return to

  attack. Pain is fuel. Exhaustion is irrelevant. This is all anger,

  focus, and the raw will of someone unbroken.

  Musa

  steps beside them, voice clipped but low. “’Cause she did fight.

  By the time I stepped in, she’d already faced three upper-average

  students… and held.”

  Korvin

  tilts his head. “Now I see why.”

  Lucille takes another

  blow, pivots, strikes back with a sound like hammer on steel. Her

  body jerks, shoulder jostling, but her eyes are wild, burning.

  Controlled chaos. Survival instinct. Rage sculpted into motion.

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  From

  the far side, Cain pushes through the practicing students, scanning.

  Lucille doesn’t notice him until he calls her name. “Lucille!”

  She

  drives one final overhead swing into the dummy, then spins. Blade

  halts inches from his collarbone. Breath ragged, pupils blown wide,

  fingers trembling. She’s just awakened from a trance.

  “Cain—I—”

  her voice cracks.

  He

  steps closer, calm but firm. “It’s alright. Jus’… don’t let

  me sneak up on you when you’re in the zone.”

  She

  grimaces, mortified, turning away, grip whitening.

  Cain

  reads the dummy’s numbers, face falling. “Lu…

  you been out here all this time?”

  She

  shrugs, shielded, distant.

  “You

  didn’t come to dinner. You always eat.” He searches her eyes.

  “You alright?”

  “I’m

  fine.” She squares her stance, silent defiance wrapped around

  exhaustion and fury.

  Cain moves in front of the dummy,

  blocks her next swing, not aggressively, just firm enough to make her

  stop.

  “Lucille…”

  his voice soft, private. “I know when you ain’t fine.”

  Shoulders

  tighten, jaw clenches. Still she won’t meet his gaze. Her defiance

  is armor, but Cain sees through the cracks.

  She exhales

  sharply. “Cain… move.”

  He doesn’t.

  “I

  jus’ wanna train,”

  she says, brittle now, eyes downcast, hands tightening. “It’s

  all I got. All I’m good at.”

  He

  goes still. No words. Just quiet.

  He retrieves a blunted

  training sword, tests its balance, and offers it to her. Small

  gesture, heavy with trust.

  “Then train with me,” he

  says.

  Instinct screams to refuse, but she sets her feet,

  lifts her sword, and nods once. The air snaps tight with focus.

  Cain

  moves first, a clean strike to her shoulder. She blocks, sting

  radiating through her arm. Counterattack, parry, duck, strike, her

  movements sharpening, instincts fully alive. She trades blows,

  glancing strikes against herself to slip inside his guard, hits

  landing, hurting.

  “You’re

  do’n that thing again,” he warns. “Taking hits to trade hits.”

  “It

  works,” she snaps.

  “Until it doesn’t,” he

  counters.

  From the arcade, Korvin, Renn, and Musa watch in

  silence.

  Renn murmurs, uneasy. “She’s reckless.”

  Musa

  hums. “She’s hurtin’.”

  Korvin watches her. Every

  swing, every choice, every flicker of anger shaping into something

  dangerous. He sees how Cain’s strength forces her to adapt, how

  their familiarity smooths the clash. And he watches her most of all:

  fury, precision, exhaustion, and unbroken will fused into a blade of

  motion that threatens more than just training dummies.

  The

  Academy Rooftops – 00:00

  The

  night is cold enough that Lucille’s breath hangs in ragged clouds,

  twisting and dissipating before it reaches the edge of the moonlight.

  The rooftops are still. No patrols, no wandering cadets. Only the hum

  of a security drone far above, slicing across the silver-black sky

  like a thin knife. The full moon hangs sharp and enormous, washing

  the stone in a spectral glow that makes shadows crawl in impossible

  angles.

  Lucille sits near the slanted edge, the stone cold

  beneath her, shoulders tight. Cain is beside her, lantern glowing

  softly, illuminating the pages of his text, his quiet presence like a

  tether she doesn’t trust herself to acknowledge. She turns the

  hunting knife over in her hands, polishing it with a worn scrap of

  cloth, fingers red from the cold and trembling, not from the

  temperature, but from everything she cannot let herself

  admit.

  “Alright,”

  Cain murmurs, voice low so the night don’t swallow it. “General

  Cassian’s principle of momentum. What’s the core takeaway?”

  Lucille

  doesn’t look at him. “…Don’t

  stall,” Lucille answers, not looking at him. Her voice is thin,

  worn. “A stalled advance is a dead one. Even a retreat’s got

  momentum. You just gotta turn it.”

  Cain

  hums, faint, approving. His gaze flits back to the book, but he

  notices the stiffness in her hands, the set of her jaw, the way her

  eyes dart to the stars like she’s trying to escape

  herself.

  “Next,”

  he says, tapping the page. “Difference between a tactical feint and

  an operational illusion.”

  Lucille

  pauses, a knife-edge of thought slicing through her exhaustion. “…A

  feint lies to the enemy’s eyes,” she says slowly. “An illusion

  lies to their head. Feint’s local. Illusion changes how they see

  the whole fight.”

  Cain

  nods. “Good. Mostly right.”

  She snorts, bitter,

  scraping the cloth across the steel again. Every stroke is a quiet

  confession of her own frustration, every motion a way to expel the

  tension coiled in her muscles.

  They settle into rhythm.

  Cain reads softly. Lucille answers, sometimes wrong, sometimes too

  eager, too precise, but the questions demanding foresight,

  anticipation, mental projection? She strikes them down like arrows

  through fog.

  Cain flips a page. “Hypothetical,”

  Cain continues. “Your company’s gotta relocate artillery without

  bein’ seen. No clouds. No dawn. How d’you mask it?”

  Lucille

  drags the whetstone slowly, deliberately. “…Depends who’s

  watching.”

  “Praevecti-trained

  observer,” he presses. “Someone who won’t fall for noise

  tricks.”

  Her

  eyes climb to the sky, stars smeared with distance. She

  exhales through her nose. “Split second platoon. One stays put,

  keeps the pattern. Fires, patrol loops, same as always. Other cuts

  wide through the ravine, draws just enough attention to pull eyes.”

  Her thumb runs the knife’s spine. “Artillery moves through dead

  ground behind the old ridge. Somebody’s gonna take a hit. But you

  didn’t ask how to make it safe.”

  Cain’s

  lips twitch faintly. “You

  really would trade the blow to open the board.”

  Her

  fingers tighten unconsciously around the blade. “It’s

  what I do,” she says flatly. “I take the hit so someone else can

  move.”

  Lantern

  light catches her cheekbones, stark against the shadowed hollow of

  her eyes. Cain studies her, not the knife, not the tactics, but the

  exhaustion, how it digs deep, how she masks it in precision and fury,

  how the anger under her skin sharpens into something she trusts more

  than comfort, more than rest, more than warmth.

  “You see

  the board differently,” he says finally. “Bolder than your record

  suggests.”

  Her snort is humorless. “Either smarter

  than they think… or dumber than I look.”

  Cain shakes

  his head, eyes flicking back to his pages but never leaving her

  entirely. He notices the small, almost imperceptible falter when she

  rolls the blade, the flicker of pride she buries under her habitual

  self-loathing. The weight she carries alone.

  The wind

  bites sharper now, brushing her shoulders, curling through hair and

  sleeves, and she barely notices. She likes the sting. Likes the

  reminder that the world is indifferent, harsh, and she survives it

  anyway.

  “You’re really good at this,” Cain murmurs.

  “Not just the hittin’, not just the thinkin’…”

  Her

  hands pause. She does not look up. “…Good at hittin’ things,”

  she says quietly, voice brittle, a defense, a shield she no longer

  trusts him to respect.

  “No,” Cain says, voice low,

  closer, careful. “Good at seeing. At thinking. At understandin’

  why things work.”

  The words cut through the night,

  heavier than any training sword. Her fingers twitch on the knife,

  slowing to almost nothing. She keeps polishing, but every stroke is

  quieter, trembling slightly.

  Cain closes the book halfway.

  “Lucy,” he says, voice barely audible over the wind. “What’s

  eatin’ at you?”

  Her

  hand circles the blade again, too deliberate, too slow. “I’m

  fine,” she mutters.

  Cain raises a brow. “Ain’t

  what I asked.”

  Her

  exhale is sharp, forced. “…It’s

  nothin’,” she says, then falters. “Just—been a long day.”

  “Lucille.”

  The name lands like a blade in the cold, cutting through every layer

  she’s constructed around herself.

  Her throat constricts.

  Memories flare, blows taken, humiliation, Cain stepping between her

  and the world, the shame twisting into gratitude she refuses to name.

  All of it tangled in the fog of fatigue and fury, impossible to

  separate. “…I don’t

  wanna think about it,” she admits. “I’d rather just… let it

  go.”

  Cain

  watches, still, quiet, letting the night hold her. Lantern flickers,

  throwing them both into pale half-light.

  “Alright,”

  he says quietly. “You don’t gotta talk.”

  Her

  shoulders ease fractionally, a small concession to the night. Nods

  once, eyes still on the knife, polishing almost imperceptibly.

  Cain

  shifts slightly. “But

  hear this,” he adds, low as a prayer. “You didn’t deserve any

  of what happened.”

  Her

  breath catches. Color rises unbidden in her cheeks, faint,

  defiant.

  “And

  if it happens again…” He hesitates, then finishes steady. “I’ll

  be there. You know that.”

  Her

  fingers tighten, not with fear, but the strange, foreign flutter of

  relief, trust, and a dangerous warmth she cannot name.

  “I

  know,” she whispers. And she does. Knows it in her marrow. Knows

  the gravity in his quiet promise.

  The wind picks up,

  slicing through the night. She finally allows herself a glance at

  him, fleeting, wary, almost shy.

  He’s already watching.

  And, for the first time, their eyes meet. He looks away just as fast,

  but the weight of the silence, of the unspoken danger and the fragile

  solace it brings, lingers between them like a living thing.

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